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Sandro Botticelli
Pallas and the Centaur
mk86
c.1482
Tempera on canvas
207x148cm
Florence.Galleria degli Uffizi
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Sandro Botticelli
Venus and Mars
mk86
c.1480
Tempera on wood
69x174cm
London,Ntional Gallery
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Sandro Botticelli
Madonna del Magnificat
mk86
c.1481/82
Tempera on wood
diameter 115cm
Florence,Galleria degli Uffizi
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Sandro Botticelli
Pieta
mk86
after1490
Tempera on wood
140x207cm
Munich,Bayerische Staatsgemaldesammlungen,Alte Pinakothek
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Sandro Botticelli
La Primavera
mk86
c.1477/78
Tempera on wood
203x314cm
Florence,Galleria degli Uffizi.
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Sandro Botticelli
The Birth of Venus
mk86
c.1485
Tempera on canvas
172.5x278.5cm
Florence,Galleria degli Uffizi
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Sandro Botticelli
The Verkundigung
mk137
ca.1489-1490 Tempera on wood chalkboard 150x156cm Galleria degli Uffizi,
Florence
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Sandro Botticelli
The adoration of the Konige
mk137
ca.1470-1475 Tempera on Pappelholz,Tondo,Durchmesser:130.8cm The
nationally Gallery, London
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Sandro Botticelli
Portrat of Giuliano de-Medici
mk137
1478-1480 Tempera on wood chalkboard 75.5x52.5cm nationally
Gallery of type Washington, D. C
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Sandro Botticelli
Portrat of Dante
mk137
1485 Tempera on linen 54.7x47.5cm
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Sandro Botticelli
Primavera
mk142
ca.1478
Tempera on panel
203x314cm
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Sandro Botticelli
Leontium and Ternissa
mk142
Oil on canvas
145.3x127cm
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Sandro Botticelli
Adoration of the Kings
mk156
c.1470-1475
Tempera on poplar
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Sandro Botticelli
Primavera
mk156
c.1478
Tempera on panel
203x314cm
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Sandro Botticelli
Madonna of the Magnificat
mk156
c.1483
Tempera on wood
Tondo
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Sandro Botticelli
Pallas and the Centaure
mk156
c.1482
Tempera on canvas
205x147.5cm
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Sandro Botticelli
The Coronation of the Virgin
mk156
c.1490
Tempera on panel
378x258cm
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Sandro Botticelli
Lamentation over the Dead Christ with Saints
mk156
c.1490
Tempera on panel
140x207cm
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Sandro Botticelli
Mystic Nativity
mk156
c.1500
Oil on canvas
108.6x74.9cm
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Sandro Botticelli
Last Communion of St.Jerome
mk161
Tempera on wood
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| Sandro Botticelli
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Italian Early Renaissance Painter, 1445-1510
Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s
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